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For the first time, the fate of the superhero genre rests not on the MCU, but on DC and Superman

PGMN Staff by PGMN Staff
June 13, 2025
in Culture, Entertainment
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For the first time, the fate of the superhero genre rests not on the MCU, but on DC and Superman
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The latest Superman trailer—dropped for James Gunn’s July 11, 2025 DC Universe (DCU) reboot—is a geek’s dream come true. It’s bursting with Silver Age comic book energy, all wrapped in a hopeful yet gritty take on the Man of Steel. 

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Directed by Gunn, this $225 million epic is a high-stakes gamble for DC Studios, needing to gross at least $500 million just to break even and $700 million to be considered a win.

After Marvel’s recent superhero stumbles, this film could be Gunn’s full-circle redemption arc, a chance to reassert his genius years after Disney’s 2018 firing over a resurfaced, edgy joke. With kaiju-level action and a stacked cast, this trailer isn’t just a tease—it’s a declaration of intent.

David Corenswet steps into the cape as a 25-year-old Clark Kent/Superman, portraying a hero caught between his Kryptonian heritage and his human upbringing. He’s introduced as a symbol of kindness in a cynical world, an old-school idealist battered but not broken. 

The trailer shows him taking hits from a fire-breathing kaiju worm and a laser-blasting orb, possibly some twisted tech courtesy of Lex Luthor. Yet he soars toward the sun in a moment straight out of All-Star Superman, signaling resilience at its most mythic.

Rachel Brosnahan’s Lois Lane enters like a bullet, fierce, fast-talking, and unafraid to challenge Clark’s messiah complex. 

Their dynamic crackles with tension and warmth, hinting at a relationship layered with friction and affection.

Then there’s Nicholas Hoult’s Lex Luthor, a cold, calculating genius with a pistol in hand (loaded with kryptonite, maybe?), exuding the unnerving calm of a man who thinks he’s always the smartest in the room. 

Gunn pulls inspiration from 1950s comics and Steve Jobs’ obsessiveness to craft a Luthor who’s less comic book villain and more tech-world sociopath. He’s a credible threat not just to Superman’s safety, but to his ideals.

The trailer also spotlights a wild supporting lineup. Edi Gathegi’s Mister Terrific brings brains and bravado, wielding his T-Spheres with Olympic-level finesse.

Isabela Merced’s Hawkgirl is airborne and fierce, swinging her mace like she just flew out of a Justice Society comic. Nathan Fillion’s Guy Gardner is pure swagger, a cocky Green Lantern with a retro bowl cut and a ring that blasts first, asks questions later. 

Anthony Carrigan’s Metamorpho oozes weird, shifting forms and chemistry with every scene. And of course, there’s Krypto the Super-Dog—Gunn’s self-described “terrible” but lovable mutt—biting down on villains like he’s born for the spotlight, clearly modeled after Gunn’s own dog, Ozu.

Geeky touches abound. The iconic John Williams 1978 score punches the nostalgia button hard, while drone-shot flight scenes (clearly inspired by Top Gun: Maverick) give Superman’s aerial combat a visceral edge.

Kaiju fights and a giant, eye-like machine looming over Metropolis bring Silver Age absurdity roaring back, but Gunn keeps it grounded with emotional weight. 

One blink-and-you’ll-miss-it detail: Maxwell Lord’s logo on Guy Gardner’s suit, sparking fan theories about Justice League International crossovers. Still, not everyone’s sold. The trailer juggles eight major characters, and some fans worry that might drown out Clark’s personal journey.

Gunn, however, insists the heart of the film is “Clark, Lois, and Lex.” Meanwhile, Marvel’s superhero fatigue continues. 

Ant-Man and the Wasp: Quantumania and The Marvels both flopped, grossing $476 million and $206 million respectively, despite $200 million budgets. Audiences seem worn out by an oversaturation of Disney+ content and formulaic blockbusters.

Even Joker: Folie à Deux bombed, reportedly losing Warner Bros. $150–200 million. 

Against that backdrop, Superman’s $225 million price tag—confirmed by a talent agent after Gunn shot down inflated $363 million rumors—seems almost lean.

And yet, with 250 million trailer views and counting, on par with Deadpool & Wolverine, this film is poised to outshine Marvel’s Thunderbolts and The Fantastic Four: First Steps, both hitting theaters the same month.

If Superman pulls in $700 million, it won’t just top Man of Steel’s $670 million. It’ll put Gunn’s DCU on a trajectory to dethrone Aquaman’s $1.15 billion haul. For Gunn, it’s personal.

After being ousted by Disney, he roared back with Guardians of the Galaxy Vol. 3 and now stands at the helm of DC’s boldest reboot yet, but the path isn’t entirely smooth.

 A lawsuit from co-creator Joe Shuster’s estate threatens to block the film’s release in the UK, Ireland, Canada, and Australia. Even so, global hype is undeniable. The world seems ready for a Superman who still believes that hope and kindness can save the day.

Tags: DC StudiosDCUJames GunnJustice LeagueSuperman
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PGMN Staff

PGMN Staff

Peanut Gallery Media Network is the fastest-growing digital media platform in the Philippines — built by creators, powered by real voices, and driven to disrupt. From politics to pop culture, we cover the stories that actually matter, with the tone and energy today’s audience deserves.

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